By Jeff Walsh
Godspell is an odd mix of things that seemingly shouldn't work together: a series of parables from the Gospel of Matthew, amazing songs by Stephen Schwartz, and a lot of freedom in between on how to present both.
But somehow, the spare book, beautiful music, and lack of structure all combine to make something bigger than the sum of its parts. In its current Broadway incarnation, Godspell is a high-energy experience that barely lets you catch your breath.
Before I saw the show, in December, an elderly woman at the Patti Lupone/Mandy Patinkin show was giving me the rundown on all the new Broadway shows. When she came to Godspell, her demeanor changed and she clutched her chest, like even remembering the manic energy was exhausting her: "They keep running around, trying to make us have fun."